Director Jon Favreau (iron Man, the jungle Book) has not hesitated to adopt new technology for film production. while producing The Mandalorian For Disney+, he was one of the first filmmakers to use ILM’s giant LED screens, aka “The Volume”, to create more realistic lighting and backgrounds on the studio set. for feature film The Mandalorian and GroguWhich hits theaters May 22, Favreau recently revealed that he had Disney get an Apple Vision Pro app to preview it in its full IMAX scope during filming.
“So I’m making an IMAX movie, and I’m looking at a TV screen, and it doesn’t matter how big your TV screen is, it’s not an IMAX screen,” Favreau said on a recent episode of The Town podcast. “We created software so I can pop on my Apple Vision Pro and sit in an IMAX movie theater and see the full aspect ratio when we’re doing a shot up. And I can look at that take and see what people will see.”
Favreau isn’t the first director to use Apple Vision Pro – Wicked Filmmaker Jon Chu also used it to handle post-production work – but he is the first to mention using the headset specifically for an IMAX production. This is still a relatively limited use case for Apple Vision Pro, but it could be useful for future filmmakers. With its large viewing area and sharp Micro-OLED screen, the Apple Vision Pro is the only way to replicate the experience of watching a big IMAX screen at home. (Meta Quest 3 comes in second place.)
In general, Favreau says he is more excited about using existing consumer technology in the filmmaking process than AI. He has mentioned using Unreal Engine to previsualize special effects. The Mandalorian and his previous films, and he believes that the quality of the game engines can be good enough to make it into the final production.
“The animation industry has understood this from the beginning,” he said. “Do it right before you paint a cell.”
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