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‘Jujutsu Kaisen Modulo’ Is Better Than the OG Manga Series

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When? Jujutsu KaisenThe manga finally ended in 2024, a realization that was less bittersweet than a relief. Gege Akutami’s megapopular Shonen Chariot certainly made great noise with its battles, but its story was thin. In the worst case, IIts fights can be extremely difficult to understand, whether it’s trying to keep up with the rigorous Weekly Shonen Crunch schedule due to poor health or its labyrinthine power system, which had to be explained with such elaborate mid-combat showdowns that it rivaled bleach.

so when Jujutsu Kaisen ModuloIts sequel, launched soon after, I prepared for Boruto-Continuity of style that will only double those flaws. However, after catching up – curiosity finally won – I can admit Relative Not only is it surprisingly strong, but I’d dare say it’s even better than its predecessor, as it sidesteps the troubles that plagued the original.

with a jump, Jujutsu Kaisen Modulo-– written by Akutami and illustrated by Yuji Iwasaki – takes a bold step that few sequel shonen have taken: it distances itself several years from its predecessor and accepts the reality that the era of the old heroes has ended, clearing the stage for a new generation. Of course, the nostalgia lives on in the nods, cameos and nods to the past. But these gestures never cast a hollow shadow on the new cast, asking “What if they were adults now?” Fanfare included itself in the hottest sequel to the shonen series.

Whereas Jujutsu Kaisen Well, by its end, it always felt like it was building up its power system, never taking off the training wheels with explainers and shock deaths (leaked/spoiled online by fans) that never delved deeper than their ideals in a cool fighting manga, Relative Really sets the tone for the series early on and brings its story into focus. And then there’s the paradigm shift in its premise, adding aliens to the narrative gumbo of the cursed soul-battle series from Giorgio A. Tsokalos is fulfilled.

Established 68 years after killing game, In 2086, Relative sees Japan at an uncertain crossroads where a humanoid alien race called the Simurians have come to Earth as refugees from a distant world, using a lightning system similar to jujutsu magic. The central tension of the manga so far lies in whether co-existence or conflict between wizards and the Seimurians will define the future of Earth.

The early chapters trace a delicate tightrope as Japan – acting as Earth’s de facto extraterrestrial representatives, thanks to its extraterrestrial magicians – tries to understand the stray aliens and figure out whether fostering prosperity without provoking hostility is in the cards. Meanwhile, the Simurians themselves attempt to build new lives after years of subjugation under brutal colonization.

At the center of this tale are magician siblings Yuka Tsugaru Okotsu, accompanied by their Simurian ally, Maru. For J.J.K fans, Yuka channeled Yuta’s gentle essence with a more playful edge; Tsugaru blends the patience of Maki Zen’in (best character; arguing with a wall) with the restraint of Megumi; And the Maru embodies an exotic spin on Yuji Itadori’s golden-retriever enthusiasm. They make a compelling trio as they dive into a back-to-basics supernatural battle at the beginning of the week J.J.K It’s a lot of fun to read week after week, before the series gets back to the space elephant in the room, which feels planned rather than improvised from week to week. And at the top of the complex is a miraculously talented combination of Akutami and Iwasaki, whose previous works would have made it impossible for such a story to come together without highlighting both creators’ past pitfalls.

As mentioned earlier, when Relative When it was first announced, I was quite skeptical about whether the series would hold together given the lineage of its creators. While I’ve waxed poetic about the stage of late Jujutsu Kaisen Enough, Yuji Iwasaki’s earlier work-Cipher AcademyA death-game series once thought to be virtually untranslated – suggested the possibility of even greater obscurity. On paper, their pairing seemed even more unattainable. Yet the collaboration proved to be the opposite, embodying chainsaw man Creator Tatsuki Fujimoto has often wished for himself: the freedom to focus on writing while another artist handles the visuals, allowing each creator to focus solely on his or her own strengths.

The result is an awesome team-up that’s just as awesome to read as it is to play. Iwasaki’s panels are clean, legible, and full of personality, never drowning the reader in mounds of information, while Akutami’s world building and character dynamics come through without the threat of runaway power scaling. Together, their return to the sandbox J.J.KThe world takes things back to basics, even as the premises expand into supernatural territory – and in doing so, they unexpectedly unite into something profound. With a series that has emotional catharsis and a narrative structure to support the promotion of his battles, Relative Is Akutami and Iwasaki cooking at the peak of their powers in such a way that it doesn’t feel canned or forced as many sequel manga series that chase the hype of their predecessors often do.

So far in the first 20 chapters of the manga, its characters are deeply written, my favorite being Yuka and her unlikely bond with Maru. trinity-esque miner brother, cross; Any callbacks to the original series are less showy for cheap fan service pop and more in the service of writing a deeper narrative that is basically an immigrant story with all the anxieties it has all wrapped up in a shonen package. There’s real tension and friction Relative This is not limited to its quips, of which there are hardly any – a decision that only adds to their pomp and circumstance. The story feels carefully crafted rather than an afterthought to take you to the next insanely complex encounter. Like wrestling, it’s always nice to see a guy get his breakthrough by doing gymnastic flips, but unless there’s a story as to why they’re going to break their necks for people’s entertainment, it just sucks. Relative Anything goes, and I’m glad my assumptions about the series were proven wrong.

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