‘Jay Kelly’ review: George Clooney charms in showbiz comedy about how stars aren’t just like us

George Clooney delivers one of the best comedic performances of his career Jay Kelly. As a longtime devotee of his Coen Brothers comedies O Brother, Where Art Thou?, I don’t say this lightly. However, Noah Baumbach has created a role that seems to suit Clooney’s particular brand of star power. And Clooney struts, faces shock, and flails with complacency, goofiness, and patheticness.

Clooney has built a career based on his ability to walk around in a swaggering dreamboat (out of sight, ocean’s eleven Through thirteen) for the rugged action star (from evening to morning, peacemaker, three kings) to the arrogant clown (O brother, burn after reading, Hail, Caesar!In jay kelly, He does all three. But more than that, he does all three of these things to interrogate what it means to be a movie star. When you’re a public figure known for playing larger-than-life action heroes, what is reality for you? Who are you to your family and friends when your career depends on presentation, and you’re more focused on that than parenting or loyalty?

Directed and co-written by Baumbach, who previously turned his life into an explosive divorce drama marriage storyjay kelly It’s far more charming than its bouncy name and charming leading man might suggest. With a supporting cast that includes Adam Sandler, Laura Dern, Billy Crudup, Patrick Wilson, Riley Keough and jay kelly Co-written by Emily Mortimer, this showbiz comedy brilliantly showcases the ups and downs of working in movies, without losing sight of how high those ups and downs are.

Far from the woe-is-me movie, jay kelly It’s a clever case that shows that in many ways the stars are not like us – and in many important ways they are.

jay kelly It’s all about work-life balance, pup.

For decades, Jay Kelly (Clooney) has been a star, gathering fans, building his filmography, growing his entourage, and even having a few daughters and ex-wives. You might think that with so much success and money, he would love to take some time away from the sets and shooting schedules. But what will he do with it?

Left alone, Jay must cope that he is estranged from his eldest, Jessica (Keefe), while his college-bound youngest, Daisy (Grace Edwards), is eager to get out of her house. He has no wife. His friends – including his manager, Ron (Sandler), and his publicist, Liz (Dern) – are all on his payroll. So when a feud with an old friend (Crudup) throws him into an identity crisis, Jay happily takes his entire crew on an impromptu trip across Europe, starting in Paris and ending at an Italian film festival, where he’ll be honored for a lifetime achievement.

Along the way, he’ll encounter astonished fans, travel on transit with no first class, and be forced to look back on his life, whether he likes it or not.

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George Clooney is absolutely excellent as Jay Kelly.

The film begins with a death scene by Jai which naturally includes a mournful monologue, a fatal gunshot wound, and a cute dog actor. Immediately, Mortimer and Baumbach make us realize Jay’s talents onscreen and offscreen. As the camera cuts away, he immediately claps his hands and encourages different crew members by name, and as he looks at them they all light up. He is that kind of star.

back home; However, he is a nosy father to Daisy, who rolls his eyes while crying about being alone. When her security guard hands her a refreshing, iced drink she exclaims, “You’re never alone.”

Clooney has a keen sense of comedic timing even when accepting glasses. He’s been great at playing dope for a long time. Here, he plays a man who has never been into depth, but who is able to fake it on screen. So, when he’s actually struggling with this crisis of self-reflection, he throws himself into action – including getting involved in a chaotic and comical chase scene. However, nothing in this film will unfold like the movies. Jay’s broad gestures, complemented by Clooney’s burgeoning charisma, fail those closest to him because they are all show, no substance. And in it, she is forced to confront how she put her work – which is very image-oriented – above her family and friends, failing to foster deeper relationships. And he is not alone in this.

Adam Sandler and Laura Dern are surprisingly well matched Jay Kelly.

After raising Jay like a baby (or a bunch of cats), Ron and Liz almost take on the role of parents as they do everything they can to guide and protect him. Where Ron is a gentle father who always affectionately calls Jay by the nickname “Puppy”, Liz is a tough-love mother who is forced to be candid because one has to be when the tabloids are rolling around. However, far from ideal, these characters display complexity in scenes beyond their interactions with Jai.

As the trip to Europe goes off the rails, Jay’s crew drops one member after another as they make choices that aren’t for them – a big client, a sick dog, a baby back home, and so on. A party seems to be coming to an end, and there is a question as to who will be the last one standing.

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Dern trembles with frustration at every bump in the road, while Sandler is her foil, always cheerful, perhaps even delusionally optimistic. They are a comedic duo who connect with each other with a strong emotional understanding. For all of Academy Award-winning Dern’s drama chops, Emmy nominee Sandler is able to maintain composure in a role that could earn her some Best Supporting nominations. suppose uncut gems The intensity subsided and the mask of cheerful peace went up. Ron is a man who is desperate to fix everything, even to the extent that he himself is not okay. And in that, Baumbach blends comedy and anguish. Dern is the cherry on top, delivering a quiet sense of regret that lingers even after her character is gone.

jay kelly is a showbiz comedy with a heart.

Incredibly, jay kelly It becomes a strange love letter to the industry, recognizing its muse and still declaring devotion. Through this story, Baumbach explores how everyone involved, from movie stars to makeup artists and security guards, struggle to draw the line between their professional and personal lives. Sure, you love your family, but what if you love your job and the people who are a part of it? The line gets blurrier and blurrier. And what kind of life does it create?

Answer jay kelly Instead of being pat and sentimental, the giving is unexpected and heartwarming. Clooney, Sandler and Baumbach come to a conclusion that is both Hollywood and honest. Ultimately, jay kelly It’s a clever crowd-pleaser, guaranteed to entertain and make you think.

jay kelly Reviewed outside the New York Film Festival. The film will be released in select theaters on November 14, then come to Netflix on December 5.



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